The Biology Of Horror: Gothic Literature And Film – Analysis

The Biology of Horror: Gothic Literature and Film is a book by researcher Jack Morgan, published in 2002.
The Biology of Horror sets out to examine the heart of the Gothic genre. To do this, Jack Morgan analyzes the core – biology – of the historical and psychological elements that make up Gothic literature and cinema.
In this context, The Biology of Terror takes a close look at the most popular examples, the canon, one might say, of the Gothic genre; exposing the paradigms that support it.
Perhaps the most interesting thing about The Biology of Terror is its study of the mythology of horror, identifying the anthropological roots that operate on the reader, or the viewer, of the Gothic genre.
The great topics of Gothic literature are also rigorously analyzed: the sinister place —the sinister loci—, spiritual languor, masks, the subversion of sensual perception, and, above all, the inorganic that suddenly becomes organic, producing consequences. nefarious in its protagonists.
In a certain way, Gothic horror is always related to the physical, to the body, almost as an echo of the psychic and philosophical torments suffered by its protagonists.
The cultural and existential meaning of horror acquires in the Gothic genre one of its most elegant and paradigmatic expressions. Its function, from a psychological perspective, may be related to the therapeutic side of fear in fiction as a metabolizer of our primordial anxieties.